tagore isn't here for the fame — the nobel, the anthems, the beard on the poster. he's here for five years, and what he did in them.
he'd married mrinalini in 1883 (she was a child of about nine, as was the custom then; he was 22). five children. by 1901 he was in his forties, an established writer, and had started a small experimental school on his family's land at santiniketan, built against everything colonial schooling was: outdoors, art, freedom. then, in the middle of building it, the losses started.
mrinalini fell ill in 1902; the doctors never worked out what it was. she died in november, aged about 29, leaving him five children between six and sixteen. the next year his daughter renuka got tuberculosis; he took her to the himalayas hoping the air would help, carried her at times in his arms, tried to keep her cheerful, and wrote children's poems while she was dying. she died in september 1903. his father, the family's great patriarch, in january 1905. and in november 1907, five years almost to the day after his wife, his youngest, samindranath, of cholera, aged eleven. his eldest son said that one left their father lonelier than all the others.
he didn't stop. the school stayed open. and he wrote — the bengali gitanjali poems came substantially through and after those years, and they don't do triumph. they search, they empty, they offer. 'my house is small and what once has gone from it can never be regained.' 'oh, dip my emptied life into that ocean, plunge it into the deepest fullness.' emptiness as a starting point rather than a verdict. he translated them into english himself, loosely; the 1912 book won the 1913 nobel prize for literature — the first ever given outside europe. the recognition that made him world-famous came straight out of the emptiest years of his life.
afterwards: novels, thousands more poems and songs, paintings, thirty countries, and in 1921 the school became a university on the same land where his wife had lived. honest notes: gitanjali is his own free translation, so every quote is a translation. two lines everyone hangs on him — one about not limiting a child to your own learning, one about not crossing the sea by staring at the water — have no source in anything he wrote. not used here.